Bombora evolved over years of designs in the world of surfing. The native name is given to massive surf building up over a reef, often dangerous, always spectacular. The font was expertly digitized by Brian Kent in New York. This font lives on the beach in a Polynesian grass hut and goes out for a surf before breakfast (o:

Classic stencil typeface. Please note many of the letterforms come in two versions - some of the Uppercase letters are filled in while the lowercase letters are open, and there are also other variations to play with. Ten shun!
Vic Fieger says: "Pretty good for a mostly squarish font. Often an entire font can arise from drawing just a single letter. In this case, it was the A."

Inspired by the shape of melting icecubes ("isbit" is the norwegian word for "ice cube"), this small superelliptical font family is perfect for logos and headlines. An alternate lowercase a and n is available as stylistic alternates - and a straight lowercase j (which also will be automatically substituted when the nornal j would collide with the preceding glyph).

Please enjoy this free "Regular" weight of our new 8-face family Foobar Pro. Download it and take it for a spin. Test out the quality of the outlines and the language support - and then come back for the rest of the family! ;)

This is the cool and stylish relative to Familiar Pro. Like a cousin. Or perhaps a second cousin twice removed. Because parts of the letters are removed, see...

This pearl by Kevin King was the best faux chinese font I've ever come over, and now it can be used for setting themed text and menus in many more languages! :)
Kevin King says: "I have said before you know - I can if I want to (Stamp! Scowl!)
Cod Chinese of the worst kind, I wanted a "Chinese" font for a project and couldn't find what I wanted. I painted this font with a Chinese brush and imported the resultant mess - it's been a while since I did any Chinese calligraphy - add that to the fact that I don't read or speak Chinese..."

The unicase height, condensed forms and playful mix of geometric construction and childish letterforms gives these fonts a naïve and charming expression. Part infantile, part geometric - it’s Infantometric!

A squarish uppercase font perfect for logos and short eye-catching headings. The lowercase contains some alternate letterforms - more specifically: uppercase have closed forms (I made a new A D and R), and lowercase have some open alternatives (new B E F P and T in addition to the A D and R). I noticed the two width version of the H and made similar normal and wide versions of J and L. Then I added lots of missing glyphs and all the diacritic letters, of course - and now the family has been expanded to 7 weights AND corresponding Italics!